A man accustomed to deception. For some fraud – a way of life for others – to survive or get what you want. Those who have surpassed others in their skills, take on the role of God, deciding the fate of people. 

In November 1988, director Anatoly Syrykh met with Sergei Parajanov in Tbilisi to make a documentary portrait of him. However, Parajanov was clearly not in the mood to talk about his art. As a compromise, Syrykh offers to talk about the artist and time, to which Parajanov immediately reports that in the morning he had a sore throat.

The tired, offended director of "Shadows of Forgotten Ancestors" forbids Syrykh to film him. He agrees only to speak, recalling the most unpleasant moments of his life: persecution and accusations of homosexuality, harassment and intimidation. At the same time, Syrykh shows footage from an exhibition dedicated to the director and footage from his film "Kyiv Frescoes". It all ends with Parajanov's very prophetic words that the state will need him only when he finds himself in a coffin. In two years, Parajanov will not become, and his figure will immediately enter the pantheon of the most important directors both in Ukraine and abroad.

Not far from the river is a large house. Petro Gusarov lives in it with four children and a mother-in-law, the only and full-fledged housewife. All his life Peter dreamed of glorification, to become the owner of the house, which he built himself. He wants to get a small job in a river port, where he now works as a porter, to be a boss at least for the rest of his life.

The day comes, and his youngest daughter is married into a family of businessmen - shipowners, who are members of the board of directors of the port. Petya was given a good position in the warehouse. And here comes the wedding, but the bride leaves the wedding, telling her friend that this wedding was a mistake.