According to the play by Anatoly Crimea, The Confession of a Chaste Babi.

Don Juan is already lying at his death. The doctor told the truth that he had the last day of his life. And Don Juan really wants to confess and, so to speak, to forgive all his sins. But none of the priests takes it, because they all know this sinner from Spain. Only a very young monk agreed. Who could have known that this monk was destined to learn that Don Juan had never been the lover of all those women. A very surprised monk begins to tell that he has fallen in love with one of the parishioners of his own monastery. Don Juan tells him that he needs to be picked up immediately and taken away. He stays dying alone, but happy.

Even if we study the life of Hryhoriy Skovoroda in the smallest detail, it will still remain a mystery to us… Probably because his thoughts still live in many dimensions.

The variety of different interpretations of his life and work reaches more than five thousand explorations… Hryhoriy Skovoroda is always wanted by someone either in the national or religious sense. Protestants and Freemasons, atheists and anti-clericals, mystics and even hippies call him.

The film tries to find answers to the question: What was Hryhoriy Savych really like? Why did the philosopher flee from the world? And from what world did he flee?

A 9-year-old Serbian girl, Julia Nikolajic, is mourning the ruins of her hometown of Ilidza. She begs adults not to shoot at her land, not to destroy her house, not to kill her relatives, her childhood, her fairy tale. But adults do not hear… And blood is shed, and hatred of the soul.

About the peacekeeping forces in Yugoslavia, about the Ukrainian battalion in Sarajevo and its assistance in restoring peace in the region.

The film tells the story of two people: a country boy who was a cinema mechanic, showed films in village clubs, played the accordion masterfully and was the soul of the company; and a criminal who has spent 20 years in prison for murder and robbery and is about to die in prison. They both contracted tuberculosis with a difference of 60 years, finding themselves in "state houses".

The film seeks to answer the question, who is to blame for the fact that people are still dying from a disease that has long been learned to treat? Does everyone have the same right to health, which is protected by the Constitution? And what should the state do first, treat or punish?