1985 рік. Старший лейтенант Григорій Вершинін, пожежний, важко переживає розрив з уже колишньою нареченою Вікою, лікарем, яка кинула Григорія заради Самойлова, головлікаря лікарні. Але одного разу все змінюється – під час пожежі в будівлі дитячої бібліотеки ледь не гине одна зі співробітниць, Ольга. З вогню Ольгу рятує Григорій. Вони закохуються одне в одного, одружуються.

Через дев'ять місяців Ольга народжує двійню, двох здорових хлопчиків. Однак в ту ж ніч на шляху Ольги і Григорія виникає Віка, яка тепер завідує цим пологовим будинком. Їй необхідно зробити дуже складний вибір – годину назад дочка першого секретаря обкому Ірина народила в її пологовому будинку дуже слабкого малюка, врятувати дитину не вдалося, але про це ніхто поки не знає. Якщо Віка до ранку не знайде Ірині іншої дитини, її кар'єра буде зруйнована. Після болісного роздуму Віка опиняється біля кімнати новонароджених, де лежить двійня Вершиніна...

On February 24, 2022, Russian troops entered the Chornobyl exclusion zone. They seized the Chornobyl Nuclear Power Plant, held the plant's employees captive, looted, and needed the zone itself as a transit area for further advancement to Kyiv.

The documentary project The Visible Enemy tells what the occupation of the exclusion zone by the Russian army was really like. The project's creative team tried to establish the chronology of the events of February 24 and collected the memories of direct witnesses to the events: exclusion zone employees, self-settlers, border guards, and a rescue team that spent the entire period of occupation in Chornobyl.

Anna Kozoriz, a second-year student majoring in 021 ‘Audiovisual Arts and Production’ of the educational and professional program ‘Mastery of Announcer and TV Host’ at the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television, interviews with Tulchyn film director and screenwriter Dmytro Masibroda, who has won awards at such international film competitions as New York's Oniros Film, Chile's South Film and Arts Academy, the Indo-French International and Cannes World Film Festivals, as well as many other similar events. Their dialogue begins on the terrace of one of the most outstanding monuments of classicism in Ukraine – the Potocki family palace – and ends in the premises of the “Podillia People's Film Studio 1956”, where, together with his team consisting of cinematographer Serhii Kachmar and sound engineer Dmytro Machok, the renowned director, whom the locals jokingly call the “Tulchyn Joker”, edits his films.

In an interview, Dmytro recalls his childhood, watching Quentin Tarantino's film Pulp Fiction as his ‘second birthday,’ his studies at the Tulchyn Professional College of Culture (formerly known as the Tulchyn School of Culture), the influence of his teacher Stanislav Yulianovych Hrinzitskyi on his own cinematic style, and many other interesting facts from his biography.

The daily life of Marina Burtseva from the provincial town of Rybatsky is not very different from the lives of thousands of the same ordinary girls living in the hinterland of a large Soviet country. Her father breaks down under the blows of fate – first the death of his wife, then the loss of work – and slowly sings from the futility and meaninglessness of his existence. And when there is an opportunity to earn on his own daughter, without thinking, he sells Marina to earn money in the city. But having a strong character, the girl does not give up.

Marina's life is a series of difficult tests. Being a sold own father, deceived by a loved one, betrayed by friends, having lost faith in others, will she be able to find reasons to continue living, to fight for her future, to forgive and to love again? How many trials can one person suffer and what is the price of happiness? For the heroine of the series, reflections on this subject are not rhetorical searches for the meaning of life, these are questions that she has to answer every minute to survive.