At the beginning of the Russian-Ukrainian war, an 17-y.o. almost deaf girl Olga comes to the house of her father Roman and his new family in Bucha, near Kyiv. But suddenly the house is captured by the Russian occupants. They intimidate the family, threatening them with death and rape, mock Olga and subject her father to a “filtration” procedure.

The conflict between Olga and her stepmother Marina escalates, whom the girl considers responsible for her parents' divorce. Also suddenly Olga understood that she is a foster daughter…However parental love of Roman is stronger than the weapons of the occupiers. Olga's father sacrifices himself to help other family to escape. Caught between life and death, the girl has to forget about resentment and save her family with the last of her strength.

In Ukrainian culture, kobzarism and ban duration have coexisted naturally since ancient times. In the eighteenth and eighteenth centuries. almost every Ukrainian house had a kobza. When Zaporizhzhya Sich was liquidated in 1775, fewer and fewer Cossacks and elders played in the cobs. But the people continued to have a Kobza spiritual tradition – blind singers reminded of Cossack liberties. The moral authority of these wandering philosopher-artists was extremely high. Does anyone know about this now, do Ukrainians remember their traditions?

The film explores the question – who are they – modern kobzars and lyricists, how do they integrate into society, and how does that society perceive them?