Dasha will soon be 30, but she has not been able to find her love and place in life. Dasha is a talented artist, but after a failed novel she lost her inspiration and now she works as a designer in an advertising agency. And Dasha can not get past any injustice or a person who needs help.

Dasha meets musician Oleg and falls in love for the first time. But the husband hid that he had a wife, and she was seriously ill. To save the life of his rival, Dasha goes for help to the famous doctor Eugene Shangin. It is this seemingly accidental meeting that will change Dasha's whole life.

So simply, as we look at the sky with our eyes, radio astronomers are observing the cosmos and other space objects. Scientists are doing this with the help of a unique structure – a huge field of antennas, which is located in Kharkiv region!
The discoveries that scientists make may be needed only after decades, but understanding the laws on which nature exists, we help create technologies for everyday life.

Documentary animation "It's just space.." is made in the technique of koltage, subject, paper and plasticine stop motion (frame-by-frame) animation. This is an attempt to tell and show about mysterious processes that occur far in space and are not at all visible by the eyes of man.

A documentary featuring testimonies from people who remember the 1933 famine in Ukraine.

The Holodomor was a mass-scale, man-made famine organised in the Ukrainian SSR in 1932–1933 by the leadership of the All-Union Communist Party (Bolsheviks) and the government of the USSR. Ukraine was the hardest hit, with millions of people dying of starvation. This famine has been recognised as genocide against the Ukrainian people. According to demographic estimates, the total number of victims of the Holodomor in the Ukrainian SSR is 3–7 million people. According to estimates by the M. Ptukha Institute of Demography and Social Studies of the National Academy of Sciences of Ukraine, Ukraine’s demographic losses as a result of the Holodomor in 1932–1933 amount to approximately 4.5 million people, including 3.9 million due to excess mortality and a further 600,000 due to a birth deficit.

A 21-year-old woman goes missing in Rivne, and it is only a month later that her mother discovers the terrible secret behind her disappearance. This crime drama might never have happened, as the system is supposed to protect citizens who seek help.

In another part of the country, in the city of Dnipro, a 30-year-old woman faces a choice: to trust a system that ignores complaints, or to protect her family herself. When she goes to the police, she is told: ‘No crime, no punishment.’

Domestic violence and gender-based violence — these terms are now appearing in Ukrainian legislation, yet this does little to help our heroines.

The investigative documentary "Stop Me If You Can" tells interwoven stories of domestic violence that highlight the indifference of the law enforcement system and show how minor mistakes by those who are supposed to protect people can lead to major tragedies.

Ukraine, our days. In the late autumn, 42-year-old Marat is bought out of captivity by Aleksandrovych, an influential man from his past and a sports club mentor. So Marat returns to his hometown, where he has not been for many years. And he loses his freedom.

Marat is lonely, withdrawn, and focused. He rents a room, works at a school as a guard and a stoker.

One day, at a bus stop, a stranger stops Marat with a clear, distinctive gesture: Aleksandrovych offers Marat a job that will not be difficult for him, the commander of a reconnaissance company… Marat is forced to accept — and asks that the payment be handed over to his parents.

At the railway station, on the train, Marat meets his old school sweetheart, Marta. Long ago, he left for the big city, and she was waiting for him, but he never called her back. In a few hours of night travel, Marat imagines a family, a house, and a quiet, happy life. And when he says goodbye on the platform, he dictates to Marta a phone number that does not exist.

The outskirts of the city, the square, is where a pre-election rally and concert are planned. Marat looks around at the police cordon, fences and plainclothes men. He is taken to an apartment in a neighboring building, where a table is set in the kitchen. There is a cellar under the room, a basement beyond, a corridor, and a narrow shelf by the window. A sniper rifle is ready on the shelf.

The rally is about to begin.

With his finger on the trigger, Marat decides to miss…