The fourth series of the documentary series "Our 30".

The film is based on the personal stories of women who, in times of total scarcity and lack of money, were forced to reinvent themselves in order to support their own families.

The heroines of the film remember how they resorted to desperate steps, such as emigration or a radical change of profession, risky trips abroad or attempts to build their own business, when the rules did not yet exist and everything was allowed ...

Stanislav Aseyev was reporting from his native city of Donetsk for various Ukrainian media, after a part of the Donbas region fell under the control of Russia-backed separatist militants in May 2014. In May 2017 Stanislav was taken captive and put in prison called Isolation. There he started writing a book describing what was happening in that secret prison, which a few years ago was the main cultural platform of the region.

Stanislav was included in a prisoner exchange in December 2019. After his release, he finishes his book and returns to his running trainings. He finally comes to the I-ZONE cultural center in Kyiv – after the Russia-backed separatist militants seized the territory of Isolation in Donetsk, the Cultural Foundation moved to the capital of Ukraine. Looking around the premises of the cultural center to arrange the future presentation of his book there, Stanislav compares the buildings in Donetsk and Kyiv, and the memories from the pages of his book obtain new features…

The film is about the "competition" for influence on the course of social processes between the products of human technological achievements and natural factors, including pandemics.

Characters: Virus, Specialist, All-Seeing.

The movie was created using a phone.

A film anthology combining 25 short films that reinterpret ancient myths in a modern context.

The authors of the project are first-year students of Dmytro Tomashpolsky's "Centaurs" workshop at the Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television. They embodied the idea of the first filmmakers – to become "centaurs", combining the roles of screenwriter, director, producer, sometimes cameraman and even actor.

Contents of the almanac and authors:

• l Prometheus and the Centaur Chiron, Bohdan Turovskyi
• l Deucalion, Daria Kulikova and Diana Zapukhla
• l Athena-Pallas, Olha Savchenko
• l Achilles and Hector, Ivan Melnikov
• l Charon, Artem Shteinle
• l Persephone, Maria Irchak
• l Orpheus and Eurydice, Maksm Kashchenko
• l Sirena, Anna Korshun
• l Medusa Gorgon, Anastasiia Parkhomenko
• l Perseus and Andromeda, Volodymyr Arkhipov
• l The Minotaur's Labyrinth, Oksana Tarnavska
• l Apollo and Daphne, Daniel Koliadin
• l Icarus and Daedalus, Heorhii Pliiev
• l Morpheus, Valeriia Tsarenko
• l Moirae, Anna Ivanova
• l Dionysus, Sofiia Yatsyk
• l Narcissus, Danilo Kolesnyk
• l Pandora's Box, Milena Pasichnyk
• l Cassandra, Tetiana Vitkalova
• l The Danaids, Iryna Zhydkova
• ► Calypso, Zakhar Shestiaiev 
• l Psyche, Karolina Singh
• l Pygmalion, Anton Malynovskyi
• l Pythia, Oleksandr Brazhii
• l Sisyphus, Liubov-Maria Karpiv